By Frank Lentricchia

This paintings is the 1st historical past and review of latest American serious conception inside of its ecu philosophical contexts. within the first half, Frank Lentricchia analyzes the impression on our serious considered Frye, Stevens, Kermode, Sartre, Poulet, Heidegger, Sussure, Barthes, Lévi-Strauss, Derrida, and Foucault, between different, much less primary figures. In a moment half, Lentricchia turns to 4 exemplary theorists at the American scene—Murray Krieger, E. D. Hirsch, Jr., Paul de guy, and Harold Bloom—and an research in their careers in the lineage proven partly one.

Lentricchia's serious goal is in facts in his sustained assault at the roughly hidden formalist premises inherited from the recent severe fathers. Even within the identify of old realization, he contends, modern theorists have usually minimize literature off from social and temporal methods. by way of so doing he believes that they've disadvantaged literature of its suitable values and grew to become the instructing of either literature and idea right into a rarefied task. All alongside the best way, with assistance from such varied thinkers as Saussure, Barthes, Foucault, Derrida, and Bloom, Lentricchia exhibits a method through which destiny serious theorists might withstand the mandarin attitudes in their fathers.

Show description

Read or Download After the New Criticism PDF

Similar criticism books

Nurturing Dreams: Collected Essays on Architecture and the City

Profitable access, specialist Illustrated classification, within the 2009 New England e-book express subsidized through Bookbuilders of Boston. Born in Tokyo, knowledgeable in Japan and the U.S., and vital of an the world over acclaimed architectural perform, celebrated architect Fumihiko Maki brings to his writings on structure a point of view that's either international and uniquely eastern.

Ludwig Wittgenstein - A Cultural Point of View (Ashgate Wittgensteinian Studies)

This publication specializes in the interesting connection among Wittgenstein and Oswald Spengler and specifically the stated impression of Spengler's Decline of the West. His ebook indicates in meticulous element how Spengler's darkish belief of an ongoing cultural decline resonated deeply for Wittgenstein and motivated his later paintings.

Conditions of Thought: Deleuze and Transcendental Ideas

Analyses Deleuze's idea of transcendental and genetic principles as stipulations of artistic suggestion. From his early paintings in 'Nietzsche and Philosophy' to 'Difference and Repetition', Deleuze develops a different thought of transcendental philosophy. It includes an intensive critique of the illusions of illustration and a genetic version of inspiration.

Extra info for After the New Criticism

Sample text

Has been solidly established .... "66 The worlds of satire and irony are centripetal constructions, not imitations-his system demands that he argue that point. " So despite all of his scientific claims, Frye's cyclic arrangement of the mythoi, and his endless enumerations of phases and subphases, are thoroughly hierarchical and judgmental in character. The real desideratum in Northrop Frye's world is freedom, the shedding of all constraints, and the pecking order of the modes is structured according to the fullness of freedom each mode is thought to image forth.

39 Human desire (Frye's conception is Sartrean) is the absence of form or structure~a "lack" which causes form or structure to come into being while remaining itself unconditioned by law, a "lack" standing outside of structurality as an unmodified and unmodifiable metaphysical ding an sich. " Desire is the deepest human center of governance; it is not the property of a single, differentiated subject, but the intersubjective force which impels all activity of expression, all civilizing humanization and ordering of an indifferent and stupid nature.

But in the long run Kant intended no radical philosophical move, though he may have implied one, as Nietzsche would urge with not a little relish. 22 Kant's knOWing subject is not a historical being. The act of creating the phenomenal world from the formal categories of consciousness is governed by the intersubjective and cross-cultural nature of those 40 A Critical Thematics, 1957-77 categories and (by implication) of the consciousness which houses them. Determined by the structural nature of consciousness, and not subject to the tamperings of history, volition, and feeling, Kant's phenomenal world, though it may not be supported by the sort of being imagined in classical ontology, claims the prerogatives of reality in the classical sense.

Download PDF sample

Rated 4.27 of 5 – based on 5 votes