By Ruth Logan Herne

Eager to do correct via his impressionable daughters, widower Cam Calhoun is aware they want a woman's contact. but if his highschool sweetheart returns to city to open a good looks spa, Cam plans to maintain his distance. Meredith Brennan left him with no observe over a decade in the past. Now speak of hairstyles and nail polish have his tomboy daughters approach too excited. but whilst Meredith hires him to make her dream come actual, Cam discovers he simply may have what she wishes such a lot: the affection of a relations.

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Extra resources for A Family to Cherish (Men of Allegany County, Book 5)

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Miranda (waking) The strangeness of your story put Heaviness318 in me. Prospero Shake it off. Come on, We’ll visit Caliban, my slave, who never Yields319 us kind320 answer. ’Tis a villain,321 sir, 310 Miranda I do not love to look on. Prospero But as ’tis 322 We cannot miss him. He does make our fire, Fetch in our wood, and serves in offices That profit us. What ho! slave! Caliban! Thou earth,323 thou! Speak. (within) There’s wood enough 315 Caliban within. Prospero Come forth, I say, there’s other business for thee.

152 My tale provokes153 that question. Dear, they durst not, 140 So dear the love my people bore me. Nor set154 A mark so bloody on the business, but With colors155 fairer, painted their foul156 ends. In few,157 they hurried us aboard a bark,158 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 agents* alas, for shame occasion* squeezes, presses lead, conduct irrelevant, out of place why* that hour ϭ at that time asked* (1) girl, young woman* (no negative senses), (2) my dear invites, calls forth nor set ϭ nor did they dare place/put qualities, characteristics ugly, dirty, filthy* brief (“a few words”) small ship 18 act 1 • scene 2 Bore us some leagues159 to sea, where they prepared A rotten carcass of a butt,160 not rigged,161 Nor162 tackle,163 sail, nor mast.

Johan Huizinga, Erasmus and the Age of Reformation (New York: Harper and Row, 1957), 104. 5. Rosalie L. : Princeton University Press, 1974), 299. 6. Harold C. Goddard, The Meaning of Shakespeare, 2 vols. (Chicago: University of Chicago Press, 1951), 2:287. 7. M. C. Bradbrook, Shakespeare: The Poet in His World (New York: Columbia University Press, 1978), 234. 8. Charles Lamb, The Complete Works and Letters (New York: Modern Library, 1935), 291–292. xxix some essentials of the s h a k e s p e a r e a n s tag e The Stage • There was no scenery (backdrops, flats, and so on).

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